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Film (Post-1918)

(1,028 words)

Author(s): Rother, Rainer
Film (Post-1918) Compared with the largely propagandistic style of films before 1918, postwar films reflected the immense destruction and cost of the war by making a different choice of material and narrative method. With the exception of a boom in explicitly anti-German films in the United States, which lasted a considerable time beyond the Armistice (the most significant of these is probably The Four Horsemen of the Apocalypse, Rex Ingram, 1921), film transferred its main attention to experiences of loss, sorrow, and death. J’accuse (Abel Gance, France, 1919), with its pacifi…

Film, The First World War in

(1,429 words)

Author(s): Chambers II, John W. | Rother, Rainer
Film, The First World War in ISFWWS-Keywords: Australia | Britain | Canada | Culture | France | Germany | Italy | Russia | The United States of America First published in: Brill's Encyclopedia of the First World War, Gerhard Hirschfeld, Gerd Krumeich, Irina Renz, Markus Pöhlmann and James S. Corum, Leiden (2012) Documentaries and feature films, 1914–1943 (a selection) 1914–1918 England Expects (G.L. Tucker, Great Britain, 1914) The German Spy Peril (W. Barker, Great Britain, 1914) The Great European War (G. Pearson & G.B. Samuelson, Great Britain, 1914) It’s a Long Way to Tipperary…